The Western Wind

The Western Wind is a novel set in a small and isolated English village at the end of the 15th century. Its narrator is the local priest, John Reve. John’s parish, Oakham, is a farming community, mostly poor, mostly hardworking, and mostly god-fearing. As the story opens, its wealthiest and worldliest member, Tom Newman, is missing, feared drowned in the treacherous local river after unprecedented storms and floods. His torn shirt has been found, nothing more, and the villagers are distressed and fearful. The local dean, representing ecclesiastical and temporal power, has arrived to investigate, making things uncomfortable for Fr. Reve.

My summary makes the novel sound like a medieval mystery story. To some extent it is, but there’s so much more to The Western Wind. It’s a beautifully written and thoughtful tale about faith, superstition, and power, and about how and where we find meaning in life. It’s a novel that never strives to be explicitly historical, but is filled with authentic detail of life in a medieval English village. It plays with time, telling the story in reverse, and this helps make medieval Oakham shockingly modern. It’s best read slowly and carefully, with every sentence savored.

Death at La Fenice

Summer vacations are the perfect opportunity to dive into a mystery series. Nothing makes a long flight or train journey pass more quickly. Having exhausted some of my favorite novelists in the genre (Henning Mankell, Susan Hill, Nicci French, et al), and on the cusp of a trip to Europe, it seemed like the perfect time to make a start on a series that I have inexplicably overlooked until now – Donna Leon’s celebrated Brunetti novels. There are now more than 30 titles in the series, so I’m making no commitment to read them all at this point, but it seemed only right to start at the beginning, Death at La Fenice.

A celebrated conductor is found dead in his dressing room during an intermission at a performance at the famous Venice opera house. The cause of death is immediately clear, cyanide poisoning, but who killed the maestro, and why? Enter Commissario Guido Brunetti, the senior detective assigned to solve the puzzle. Flawed in many ways, Brunetti is a contrary, anti-establishment figure, a man who loves his family, Venice, and his work (probably in that order).

Death at La Fenice sets, I suspect, the tone of the entire Brunetti series. This is a long love letter to Venice and a prolonged character study of a passionate Venetian. The plot here is secondary and the denouement feels hurried. I have already bought numbers 2 and 3 in the series, so we’ll see if anything changes.