Sophocles seems to be having a moment in London’s West End. Last year saw two stagings of Oedipus, one of which, featuring Mark Strong and Lesley Manville, I was lucky enough to see, as well as a production of Antigone. Now, in early 2025, Elektra comes to the London stage with Brie Larson in the title role. I saw it recently and was impressed. It’s a “punky” production, with Larson using a handheld microphone throughout and sporting a shaved head, jeans, and a Bikini Kill T shirt. The text was by the acclaimed poet, Anne Carson.

So, what’s with the sudden spurt of these productions in London’s theatres and how does one explain their appeal for some actors better known for film and TV work? Elektra is a play about rage, revenge, betrayal, and family strife in a time of conflict. Something in that mix, I suspect, speaks to these uncertain and dangerous times. And the wonderful production of Oedipus I saw in 2024 cast Mark Strong as a politician committed to honesty and full disclosure in his re-election campaign. Written nearly 2,500 years ago, these astonishing plays are as relevant and vital today as they have ever been. Audiences know it, and I find that encouraging.